2023 Sep 22, James D. Vaughn, Old Jail Museums and David Crockett's Log Cabin Lawrenceburg, TN

 Today, we rode to Lawrenceburg.

Our granddaughter didn't have school today and wanted to go to a museum. 

Just this year she has gotten interested in museums so we are always looking for a new one to visit.

Today, we went to the James David Vaughn Museum located at the 

Visitor Center 31 Public Square Lawrenceburg, TN 38464. 

Opened Monday-Friday 9:30-11AM and 1-3PM  call to get an appointment (931)762-8991 

A Piano, Microphone and Worship and Service Hymns of James D. Vaughn 

Sheets of his music: Gospel Chime, Working on the Road, Hills of Tennessee, Jesus Forgives and Forgets, I Believe in the Lord, Jesus is All I Need, Talk it Over with Jesus, Love Lifted Me, My Loved One sare waiting on me, Heaven Must be my new home, and O what a blessing he is to me.

Vaughn School of Music 

David Crocket Log Cabin (Closed for Repairs)

Old Jail Museum Waterloo St Lawrenceburg, Tn 38464
Opened only 
Tuesday-Friday 10-2PM 
Please call (931-212-1944) 

Upstairs are the jail cells, the Sheriff's office, and the home. You can walk inside the cells that once housed prisoners, which Ave didn't like She would not go inside the prison cell blocks.

News Paper Article about Sheriff Greg O'Rear killed by a prisoner. 

Inside the cell with prisoners

The museum had artifacts about people, places, Military Uniforms, School Uniforms, cameras of every shape and size, famous people from Lawrence County, Old Apple Computers, bicycles, quilts, etc. You just have to come to see for yourself. 

Our historian could go on all day and never cover everything in this build. It is loaded with information about Lawrenceburg. Well worth a visit.

A.L. Cantrell Lawrence Co Confederate Veteran 
I lived to be 112 years old 
Bet he had some stories to tell!

People from Lawrenceburg went on to be famous or important in different fields.

Senior Texas Ranger Captain Bruce Casteel (also Texas Rangers Hall of Fame Waco, Texas) 

David Crockett 1786-1836 King of the Wild Frontier  

James David Vaughn 1864-1941Gospel Song Writer  

Silas Mercer Beasley 1834-1914 Early Settler 

Rollie D. Beckham (1879-1978)

Fred Dalton Thompson 1942-2015 Actor, politician, attorney, lobbyist, columnist, and radio personality

J.H. Stribling (1863-1951)Church leader, entrepreneur, financier 

2023 August 3, Alabama Music Hall of Fame & Railroad Museum TUSCUMBIA, AL

Our first stop was the dentist. I had two teeth pulled Friday, and the dentist wanted to see how they were healing. 

We rode to Tuscumbia to tour the Alabama Music Hall of Fame. Our granddaughter now loves to go to museums, and I thought she would enjoy this one. 

We stopped outside the museum for a couple of pictures.

Ava at the Fountain 

Bought our tickets, and the lady at the ticket counter gave Ava a Scavenger Hunt sheet.

The sheet had a list of 10 different animals to be found throughout the museum. 

She told Ava once she completed the task, she would get a prize.

(Dog, fish, snake, peacock, monkey, opossum, horse, rooster, fish,? )

The ticket lady took our picture before we entered the Museum Display.

As we walked through the museum, we looked at the animals and well as looking at the displays.

She liked the display of Nat King Cole, the Alabama Bus, and many others.

We got down to number ten, the monkey on the list, and walked back through the museum, looking for a monkey.

We got a hint it was on a hat of Clint Eastwood and near the end of the displays.

She found it and headed to the gift shop for her surprise.

She picked a whistle and a star keychain.

Ava and the dog 

Ava and guitar entrance 

Ava and I were at the Entrance Door as we were leaving. 

Next, we rode to the Tuscumbia train Depot, but it was closed. 

We did see the trains on the back side.

US TVA F2021 COLBERT STEAM PLANT Turn-about 

We rode to Florence and ate lunch at Chick-fil-A.

Ava ordered a kid's meal with chicken nuggets, waffle fries, and Chocolate milk. She also ordered ice cream but didn't eat it. I finished it off.

Once she finished eating, she wanted to go play, so I said go on.

Ava eating Chicken nuggets.

Big Walter Horton-Horn Lake Miss Us 51 South Haven, MS

Bottom

Miss U. S. 51 

Big Walter Horton  - HORN LAKE (1918-1981)

Blues harmonica virtuoso Big Walter Hortonwas renowned for hi sinnovative contributions to the music of Memphis and Chicago. Horton was born in Horn Lark on april 6, 1918, and began his career as a child working for tips  on the streets of Memphis. He performed and recorded with Muddy Waters, Jimmy rogers, Willie Dixon, Fleetwood Mac, Johnny Winter and many others. His technique and tone continued to be sutdied and emulated by harmonica players around the world. 

Big Walter Horton

Big Walter Horton

Walter Horton was heralded as one of the most brilliant and creative musicians ever to play the harmonica. Born on a plantation near this site, as a child he blew into tin cans to create sounds. His birth date is usually cited as April 6, 1918, although some sources give the year as 1917 or 1921. Nicknamed “Shakey” due to nystagmus, an affliction related to eye movement that can result in involuntary head shaking and learning disabilities, Horton quit school in the first grade. He made his way doing odd jobs and playing harmonica with local veterans such as Jack Kelly, Garfield Akers, and Little Buddy Doyle as well as young friends Johnny Shines, Floyd Jones, and Honeyboy Edwards. They performed in Church Park, Handy Park, hotel lobbies, and anywhere else they could earn tips, including nearby areas of Arkansas, Mississippi, Missouri, and Tennessee.

Horton began recording for legendary Memphis producer Sam Phillips in 1951. The first record on Phillips’s Sun label in 1952 was assigned to “Jackie Boy and Little Walter” (Jack Kelly and Horton). While Sun never officially released the Kelly-Horton disc, other Horton tracks from Phillips’s studio appeared on the Modern and RPM labels under the name of “Mumbles.” On later recordings, Walter was usually billed as “Shakey Horton” or “Big Walter.”

Horton joined the Muddy Waters band in Chicago in 1953. Chicago’s foremost blues producer/ songwriter, Willie Dixon, who called Horton “the greatest harmonica player in the world,” began recording him for labels including States, Cobra, and Argo, and hired him to play harmonica on sessions by Otis Rush, Koko Taylor, Jimmy Rogers, Sunnyland Slim, and others. Horton also toured and recorded with Willie Dixon’s Chicago Blues All Stars, and played on the Fleetwood Mac album Blues Jam in Chicago. Full albums of his work appeared on several labels, including Alligator, Chess, and Blind Pig. Horton toured internationally, but in Chicago most of his work was in small clubs. He also resumed playing the streets for tips at Chicago’s Maxwell Street market.

Horton’s playing–sometimes powerful and dramatic, other times delicate and sensitive–left an influence on harmonica masters Little Walter (Jacobs) and Sonny Boy Williamson No. 2 (Rice Miller) and on the generations to follow. His shy, gentle nature, often hidden beneath a gruff or glum exterior, endeared him to many. The uplifting beauty of Horton’s music contrasted with the sorrows and tragedies of his personal life. He died of heart failure on December 8, 1981. His death certificate also cited acute alcoholism. Horton was inducted into the Blues Hall of Fame in 1982.

Captions

“Easy,” one of Walter Horton’s classic instrumentals, was recorded in 1953 with Jimmy DeBerry on guitar. Horton and DeBerry reunited in 1972 and 1973 to record for producer Steve LaVere in Memphis.

Horton performance at ChicagoFest on August 7, 1981, just a few months prior to his death 

From left: Walter Horton, Willie Nix and wife Patry, J.T. Brown and wife Katie, Muddy Waters, and Jimmy Rogers, Chicago, 1953

From left: Walter Horton, Willie Nix and wife Patty, JT Brown, and wife Katie, Muddy Waters, and Jimmy Rodgers Chicago 1953

Sun Records

 “EASY”

Jimmy & Walter 

Delta Music 

Welcome to one of the many sites on the Mississippi Blues Trail 

Visit us online at www.MSBluesTrail.org 

https://www.findagrave.com/memorial/4160/walter-horton

2016 June 19, Sunday, Singing River Statue of Muscle Shoals 🎶🎶🎶🎶

Legend of the Singing River
The Yuchi and other early inhabitants living along the banks of the mighty Tennessee River held the legend of a Spirit Woman who lived in the river. She protected and sang to them. When the river was angry, she sang loudly. When the river was peaceful, she sang softly and sweetly, sometimes humming a comforting lullaby. Some say that all they heard was the high waters' mighty rush and roar over the mussel shoals, or at other times, the calm low waters babbling through the river rocks. Others say she is real and can still be seen in the early morning mist, hovering over the waters, just as she did those many years ago. In her honor, they called it the Singing River and in her honor, we named these sculptures the Singing River Sculptures.

Singing River Statue of Muscle Shoals

Singing River Statue of Muscle Shoals 

The World-changing Muscle Shoals Music
From throughout the 20th century to the present, Muscle Shoals area artists, musicians, songwriters, and music-industry professionals have helped shape the world’s expansive music heritage. Few styles of music were untouched by Muscle Shoals, and local contributions have been made in all other areas of the complex industry: producers, recording engineers, songwriters, music publishers, and other positions in the music business.

Many of the world’s greatest performers began their ascent to stardom in Muscle Shoals, and artists, such as Percy Sledge, Aretha Franklin, the Staple Singers, and Bob Seger, along with many others, quickly created a legacy that earned the area the title, “Hit Recording Capitol of the World.”

The area grew as a music center by drawing together people of all races and religions. In the 1960s, despite the segregation of the races enforced outside the studios, great soul classics were being created in the studios with each musician contributing his innate musical talent. The collaborations created some of the most widely loved music of the 20th century, including Steal Away, Mustang Sally, Tell Mama, Patches, Respect Yourself, and many others.

The warning issued in Arthur Alexander’s You Better Move On got the attention of the Rolling Stones. The Beatles heard Alexander’s song, Anna and each band acknowledged their respect for Alexander and his writing by recording their version of his songs on their first albums.

The songwriting tradition continues as one of the strongest facets of Muscle Shoals music, with area songwriters penning songs such as I Loved Her First, I Swear, 

The heart and soul of Muscle Shoals' music have always been the players and singers. Four members of the Muscle Shoals Rhythm Section were immortalized in the Lynyrd Skynyrd song, Sweet Home Alabama. The lyric, “Muscle Shoals has got the Swampers, and they’ve been known to pick a song or two,” honors Jimmy Johnson, Barry Beckett, David Hood, and Roger Hawkins, studio musicians who produced and played on hundreds of hits recorded at area studios from the late 1960s until the mid-1980s.

Muscle Shoals and Its Contribution to this Golden Era
Muscle Shoals bestowed much more than its name on the world-famous “Muscle Shoals sound.”

The city served as the birthplace for early breakthroughs in the local music industry and later provided a home base for some of the area’s top studios. The first commercial recording to emerge from Muscle Shoals — the Bobby Denton single, A Fallen Star — was produced by James Joiner in the Second Street studios of WLAY Radio in 1957. Four years later in an old candy-and-tobacco warehouse on Wilson Dam Road, aspiring producer Rick Hall joined forces with bellhop-turned-singer Arthur Alexander to cut Muscle Shoals’ first national hit, the Southern Soul anthem, You Better Move On. In the wake of that success, Hall built FAME Recording Studios on Avalon Avenue in 1962. Artists ranging from Aretha Franklin, Wilson Pickett, and Etta James to Duane Allman, the Osmonds, and Bobby Gentry later recorded there. From 1970 to 1985, Muscle Shoals became known as “The Hit Recording Capital of the World” as FAME and Al Cartee’s Music Mill, Steve Moore’s East Avalon, and Terry Woodford and Clayton Ivey’s Wishbone Studios generated hits by Clarence Carter, Hank Williams Jr., the group Hot, George Jones, the Forester Sisters, Mac McAnally, Shenandoah, and many others. In 2011 Hall received the American Music Lifetime Achievement Award, and in 2014 he was awarded the Grammy Trustees Award for his significant contribution to the recording industry.

The City of Muscle Shoals, Alabama
David Bradford, Mayor
Audwin Pierre McGee, Sculptor
Historical commentary by Terry Pace, Dick Cooper, David Anderson, and Bill Matthews.

Rick Hall and Duane Allman

FAME Studio at 601 E. Avalon Avenue (Photo furnished by FAME)

James Joiner and Bobby Denton at WLAY Radio 

Muscle Shoals City sign proclaiming it the Hit Recording Capital of the World (Photo furnished by FAME)

Wishbone Studios (Photo furnished by Terry Woodford)

East Avalon Studios (Photo furnished by Dick Cooper)

FAME Studio at old Candy and Tobacco Warehouse (Photo furnished by FAME)