Showing posts with label singers. Show all posts
Showing posts with label singers. Show all posts

Monday, July 22, 2024

Singing River Sculpture in Florence

Singing River Sculpture 

Singing River Sculpture in Florence 

Dedicated to the world-renowned musicians, recording executives, writers, producers, and performers who made Florence and the Muscle Shoals area the “Hit Recording Capital of the World” in the 1960s and 1970s and to those who continue that legacy.

2020 

Legend of the Singing River 
The Yuchi and other early Native Americans who lived along the banks of the mighty Tennessee River long held the legend of a Spirit Woman who lived in the river, sang her song, and protected them. She sang to them loudly if the drive was angry, softly and sweetly when the river was peaceful, and sometimes in the calming hum of a lullaby. In her honor, they named it the Singing River.
Some say that all they heard was the high waters’ mighty rush and roar over the mussel shoals or the calm, low waters babbling through the river rocks. 
Others say she is real and over the waters, just as she did many years ago. So goes the legend of the Singing River. 

The World-Changing Music Shoals Music 
From the last half of the 20th century to the present, Muscle Shoals area artists, musicians, songwriters, and music industry professionals have helped shape the world’s expansive musical heritage. 

Few styles of music were untouched by Muscle Shoals music, and local contributions have been made in all the areas of the complex industry; producers, recording engineers, songwriting, music publishing, and music business interest.

Many of the world’s greatest performers began their assent to stardom in Muscle Shoals. Artists such as Percy Sledge, Aretha Franklin, The Staple Singers, Bob Seger, and many others quickly created a legacy that earned the area the title “Hit Recording Capitol of the World.”

The warning in Arthur Alexander’s You Better Move On got the attention of the Rolling Stones. The Beatles heard Alexander’s song Anna, and each band acknowledged their respect for Alexander by recording their version of the songs on their first albums. 

The songwriting tradition continues as one of the strongest facets of Muscle Shoals music, with area songwriters penning songs such as When A Man Loves a Woman, I Swear, Blown Away, Before He Cheats, and hundreds of other hits over the decades. 
The area grew a music center by drawing together people of all races and religions. In the 1960s, despite the segregation of race enforced outside the studio, area soul classics were being created in the studios with musicians contributing their innate musical talents. The collaborations created some of the most widely loved music of the 20th Century, including When A Man Loves A Woman, Mustang Sally, Tell Mama, Patch, Respect Yourself, and many others. 

The heart and soul of Muscle Shoals music have always been the players and singers. Four members of the Muscle Shoals Sound Rhythm Section were immortalized in the Lynyrd Skynyrd song Sweet Home Alabama. The lyric, “Muscle Shoals has got the Swampers, and they’ve been known to pick a song or two, “ honors Barry-Beckett, Jimmy Johnson, David Hoot, and Roger Hawkins, owner of Muscle Shoals Sound Studio, and studio musicians who produced and played on hundreds of hit recorded at Muscle Shoals Sound Studios from the late 60s until the mid-70s.


Florence’s Contribution to this Golden Era
Florence has long had a rich and varied music culture and heritage. Building on the foundation of Blues and Spiritual music laid by Florence native W.C. Handy, known as the Father of the Blues, composer of Beale Street Blues, St Louis Blues, and others, that legacy continues to the present day. 
The roots of what became known as the Muscle Shoals sound are found north of the Tennessee River in Florence, AL. They were planted by pioneers such as James Joiner, Tom Stafford, Rich Hall, and the many talented musicians and songwriters who recorded in Florence studios before 1960.
Other notable music personalities from Florence include Sam Phillips, Buddy Killen, Billy Sherrill, and Kelso Herston, all of whom found major success in Memphis and Nashville. 

In 1956, Joiner wrote and produced the area’s first regional hit, Bobby Denton’s A Fallen Star. He, Kelso Herston, and partners established “Tune Records and Publishing Company, the first of its kind in Alabama, and published the classic Country song Six Days on the Road, written by Earl Greene and Carl Montgomery. 


Stafford, Hall, and Billy Sherrill created Florence Alabama Music Enterprises (FAME) above the City Drug Store, owned by Stafford’s family. The studio attracted young talents such as David Briggs, Norbert Putman, Dan Penn, Spooner Oldham, Jerry Carrigan, Earl “Peanutt” Montgomery, Donnie Fritts, Arthur Alexander, Bobby Denton, and others who would go on to be legendary musicians and songwriters. 


In 1964, at the request of John Lennon, four members of the original Muscle Shoals Rhythm Section, Norbert Putman, David Briggs, Jerry Carrigan, and Terry Thompson, backed opening acts for the Righteous Brothers and Tommy Roe for the Beatles at their first US concert in Washington D.C. 

In 1976, Wishbone Studio owner and producer Terry Woodford cofounded the University of North Alabama Commercial Music Program, which prepared many for success in the music industry, including Randy Poe, President of Leiber & Stoller Music Publishing/music biographer; Walt Aldridge songwriter/producer, Nancy Lee, V.P. Music Industry Business, Manager Higham Management Ince.; Mark Narmore, Songwriter/singer/keyboardist; John Briggs, V.P. ASCAP (Retired), V.P. Entertainment and Pro Sports, Tower Community Band, and Kevin Lamb, V.P. Peer Music (Retired).

Photos: William Christopher (W.C)Handy
Photo courtesy of W.C. Handy Foundation Inc. 

Photo: James Joiner registered and Kelson Herston (L) 
Photo editing courtesy of Glenn Bevis 


Joiner’s Bus Station 
Site of Joiner’s first recording studio 
Photo courtesy of Joiner Family 

Photo: Tom Stanford 
Enigmatic mentor to many young Muscle Shoals musicians 
Photo courtesy of David Briggs

Photo: The Original Muscle Shoals Rhythm Section 
Terry Thompson, Norbert Putman, Jerry Carrigan, and David Briggs 
Photo completion courtesy of Will C. Roberson and Trevor J. Joiner 

Photo: Terry Woodford 
With guest speaker Glenn Frey of the Eagles in UNA Commercial Music class 
Photo courtesy of Terry Woodford. 

The City of Florence, Alabama 
Mayor Steve Holt - Eric Nubbe, Sculpture 
A special thanks to former Mayor Mickey Haddock and former Mayor Bobby E. Irons for their early and unwavering support and encouragement.
Historical commentary by Dick Cooper, David Anderson, Bill Matthews, and Sandra Vetters.


Singing River Sculpture 

Thursday, December 20, 2018

2018 Dec 15, Leipers Fork Christmas Parade Leipers Fork, Tennessee

Hubby and I rode to Leipers Fork to attend the Christmas Parade, it was one of the biggest crowds I had ever seen.
The crowd at Leipers Fork Parade 
John Snider(Bo Duke) from Dukes of Hazzard was the Grand Marshal. John rode atop a replica of the Bright Orange General Lee #1 from the Dukes of Hazzard Show (1979-85).
Followed by the Sheriff Rosco P. Coltrane's Police Car.
John Snider, Grand Marshal 
Kid Rock came riding in a White Car that had a bull horn on the front grill, packing guns on both sides of the car. The backside on the tire covering was Hank Jr. Kick Rocks & Michigan Plates 64 Nudie with shotgun, horses, and horseshoes on the trunk, fenders, and bumper.
The kid was dressed in White, trimmed in gold, and wearing a black hat, drinking a Cooler Light beer.
The guy from American Pickers came riding in the parade in a Polaris Jeep.
Kid Rock and his granddaughter
We saw a Grinch 
Cindy Lou-Who 
Santa Clause in his sleigh with Reindeer 
Hubby and I stopped at Jack's Restaurant in Lawrenceburg for breakfast. I ordered a sausage and cheese biscuit.
Hubby ordered a big breakfast.
We arrived at Leipers Fork around 11:00 AM, set up our chairs, and walked around taking pictures and talking to local shop owners.
Christmas Ball hanging from the ceiling at one of the local stores also in the attic area was a Manger Scene 
People already had a chair set up in front of Pucketts Grocery, a local restaurant. 
fireplace a warm, cozy spot 
Cowboy boot Sign
There were several portlets set up, but not near enough for the crowd.
Where we sat were a couple of firepits with marshmallows and gram crackers to make smores.
It was nice to sit by the fire it was an overcast day with temperatures around 50+ degrees with some sun.
At the portlets, I met a woman who was building a house in the Leipers Fork area. She said we have 2 dogs and 2 cats, and they were renting in the Nashville area but were originally from Atlanta, GA.
I also met a woman wearing a Mad Hatter hat, she was covered in Christmas rope, bells, and balls.
She gave me and the woman next to me a bell. I tied my bell on my tennis shoe, and everywhere I went, I would hear bells, I forgot it was me that was ringing.
I met a family from near Dickson, TN, she said she was an artist, and he was a landscaper (from Nashville until he married). They had two children, and they had never been to the Leipers Fork Parade. I told them they were in for a treat. They were waiting to eat at a local restaurant, and when the parade began, they came and stood nearby. The man said after they ate that, the kids rode horses in the fields, and there they saw Kid Rock.
The little girl said she wanted one of the bears that were going to be thrown out during the parade. Both she and her brother caught two each.
They left after the bears were thrown out.
Hubby and I both made smores, but they sure were messy. The parade began around 2:30PM  and lasted until about 4 or a little after the sun was setting, and it was beginning to get dark. The cleanup crew began to clean up all the debris left from the parade and the crowd. Hubby and I sat by the fire pit as we watched a steady stream of cars leave the grass-filled parking area.
A young man stoked the fire, and we warmed our hands and bodies.
A man with his daughter was warming up at the fire pit. We were talking about the Shoals area that we were from, and the man said that he had a friend who played in a band that played at the Shoals Marriott.
We finally braved the traffic and began our travel home.
At 5:22 PM, we stopped at Panda Express in Sring Hill.
End of the parade, and the sun was setting. 
We ordered broccoli and beef, honey walnut shrimp, orange chicken, chow mein, egg roll, and 3 creams cheese Rangoon.
We ordered broccoli and beef, honey walnut shrimp, orange chicken, chow mein, egg roll, and 3 creams cheese Rangoon.

At 7PM, we stopped at Big Lots in Lawrenceburg for some bread and Archway gingerbread cookies.
(I love me some gingerbread cookies) we bought three bags and a bag of Archway gingersnaps. 
We were home around 7:30, took a hot shower, put on my pajamas, crawled into my warm bed, turned on the TV, and were asleep in no time.
Hubby had a great day; it was a little on the cool side, overcast, and the sun tried to sneak out a time or two. Saw John Snider, Kid Rock, and the guy from American Pickers. Made a few new friends, ate some good food, and had a safe trip home.


Friday, October 12, 2018

From Mississippi to Memphis Miss US 61 South Haven, MS

Bottom 
Miss US 61
From Mississippi to Memphis
The bright lights of Beale Street and the promise of musical stardom have lured blues musicians from nearby Mississippi since the early 1900s. Early Memphis blues luminaries who migrated from Mississippi include Gus Cannon, Furry Lewis, Jim Jackson, and Memphis Minnie. In the post-World War II era, many native Mississippians became blues, soul, and rock ‘n’ roll recording stars in Memphis, including Rufus Thomas, Junior Parker, B.B. King, and Elvis Presley.
B.B. King 
Elvis Presley 
From Mississippi to Memphis
From Mississippi to Memphis
Top 
Memphis blues was discovered by the rest of the world largely via the works of Beale Street-based bandleader W. C. Handy, who began using blues motifs in his compositions shortly after encountering the music in the Mississippi Delta around 1903. By the 1920s many musicians from Mississippi had relocated here to perform in local theaters, cafes, and parks. The mix of rural and urban musical traditions and songs from traveling minstrel and medicine shows led to the creation of new blues styles, and record companies set up temporary studios at the Peabody Hotel and other locations to capture the sounds of Mississippians who came to town to record, such as Tommy Johnson and Mississippi John Hurt, as well as some who had settled in Memphis, including Robert Wilkins, Jim Jackson, Gus Cannon, Memphis Minnie, and Joe McCoy.

In the decade following World War II musicians from around the Mid South descended upon Memphis, and their interactions resulted in the revolutionary new sounds of R&B and rock ’n’ roll. Riley King arrived from Indianola and soon became known as the “Beale Street Blues Boy,” later shortened to “B. B.” Many of King’s first performances were at talent shows at the Palace Theater, 324 Beale, co-hosted by Rufus Thomas, a native of Cayce, Mississippi, who, like King, later worked as a deejay at WDIA. King and Thomas were among the many Mississippi-born artists who recorded at Sam Phillips’s Memphis Recording Service, where Tupelo’s Elvis Presley made his historic first recordings for Phillips’s Sun label in 1954. The soul music era arrived with the Stax and Hi labels in the 1960s, and again many Mississippians were at the forefront: Stax’s roster included Little Milton, Albert King, Rufus Thomas, and Roebuck “Pops” Staples, while Hi producer and bandleader Willie Mitchell, a native of Ashland, oversaw recordings by soul and blues artists Otis Clay, Syl Johnson, Big Lucky Carter, Big Amos (Patton), and others with Mississippi roots.
WC Handy Statue on Beale St Memphis, TN 
The revitalization of Beale Street as an entertainment district, beginning in the 1980s, resulted in new performance venues for Mississippi natives including Daddy Mack Orr, Billy Gibson, and Dr. Feelgood Potts. The Mississippi-to-Memphis blues tradition has also been promoted by the Center for Southern Folklore, radio stations WEVL and WDIA, and labels including Inside Sounds, Icehouse, Memphis Archives, Ecko, and High Water. Mississippi has been well represented in the Memphis-based Blues Foundation’s International Blues Competition and Blues Music Awards (formerly W. C. Handy Awards), and thirteen of the first twenty artists inducted into the foundation’s Blues Hall of Fame in 1980 were born or raised in Mississippi.
Brunswick Recording Company “Fourth and Beal” Cannon and Woods “The Beale Street Boys
Jim Jackson, Rufus Thompson (at microphone), and Furry Lewis (right)became Memphis music icons after moving here from Mississippi. They all settled in Memphis prior to 1820.

The Handy Sheet is from 1917.
In 2003 WC Handy awards, Sam Phillips with four of the Blues legends is recorded in the early 1950s. Seated, from let are Ike Turner, BB King and Little Milton (all natives of Mississippi). Standing with Phillips is Memphian Rosco Gordon. Phillips also recorded Little Junior Parker Howlin' Wolf, James Cotton, and Doctor Ross, among others Mississippi bluesmen.
Beal Street at night the late 1930s.
WC Handy Shown at a parade held in his honor here in 1953 came to Memphis form Clarksdale, MS. The park is a block north of this marker was renamed for him in 1931.




Ecko Records, founded by Mississippian John Ward in 1995 became a leader in the soul-blues market with releases by Mississippi natives including Ollie Nightingale Sheba Potts-Wright, Denise LaSalle, OB Buchana, David Brinston, and Lee "Shot" Williams.
High Water Records under the direction of Dr. Davis Evans at the University of Memphis documented more traditional blues.

Beal Street as it appeared in the summer of 1944.

Welcome to one of the many sites on the Mississippi Blues Trail 

Visit us online at www.MSBluesTrail.org 

Friday, June 9, 2017

2017 May & June Music in Wilson Park with a variety of entertainers

May 3,  
Music in Wilson Park with Joseph Baldwin- Hubby and I ate lunch at Rosie's Mexican Cantina.
Granddaughter played in the fountain and danced to the music.
Joseph Baldwin
Granddaughter played in the fountain.
Granddaughter Ava helped hubby work on the fence in front of the swimming pool.
 She would hand him a tool, he would say thank you, and she would reply Welcome!

May 10, 
Music in Wilson Park with Shannon Knight - I had an appointment at Bone & Joint to get an X-ray of both knees. The doctor put a Cortisone shot in my right knee. We left music in Wilson Park at 12:45PM.
Music in Wilson Park with Shannon Knight

May 17, 
Music in Wilson Park Cadillacs 11:30-1:00PM 1:30-2:30 Listen to Dolores Hydock's storyteller, "Through the back door, the music that bridged the Bayou"

Storytelling with Dolores Hydock
Storytelling with Dolores Hydock
Music in Wilson Park with Cadillacs
May 24, 
Music in Wilson Park with Mitch Mann 11:30-1:00 The park was wet with all the rain, so everyone that came sat in the center of the park where there was concrete. Bought pizza from Pizza Hut and took it home to eat.
no pictures
June 7, 
Music in Wilson Park with Drum and Drummer 11:30-1:15PM Hubby and I ate lunch at Taco Bell and then Academy Sports, where Hubby bought some Crocs and a large ball (for exercise)
Drum and Drummer 

We missed music in Wilson Park on June 14 and 21.

June 28, 
Hubby and I went to music at the park to listen to Gary Nichols.
 I was feeling great, and I went bebobbing across the street to use the restroom at the library. I popped my right leg down onto the pavement, not thinking, and I went from feeling like a sixteen-year-old to a one-hundred-year-old woman.
I made it across the street and to the restroom.
When I went to wash my hands, my right leg would not move. I stretched it several times and had to stop several times before I made it back across the street to the park.
This being said,
you can not always judge a book by its cover. Because if someone looks great and acts great, it does not mean that there is not something wrong with them. By looking at me earlier yesterday morning, I was walking normally, and by afternoon, I needed a cane.
You don't have to be old to have health problems, and each of us needs to be kinder and more thoughtful to others. I think we tend to forget about these things until it happens to us.

After the music ended, we rode to the Co-Op, where hubby purchased a new riding lawnmower.
My knee was still giving me a fit, so I waited patiently in the van, which took over 30 minutes.
The lawnmower was loaded onto the trailer and followed us home. 
I lay on the sofa for the rest of the day.
My knee was much better the next day.



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