Sunday, June 26, 2016

2016 Saturday, June 25, Helen Keller Festival Actives

The Helen Keller Festival honors a woman, Helen Keller, who not only overcame being blind and deaf but also became a great ambassador for America. 
Helen Keller was born to Arthur Keller and Catherine Adams Keller on June 27,1880, and died on June 1, 1968.
Helen learned to read and write with the help of Anne Sullivan, and she graduated from Radcliffe College with honors in 1904. Helen also wrote several books and was an advocate for several causes. Helen Adams Keller is buried in the Washington National Cathedral in Washington, DC. 

My first stop was the Car and Truck Show, held on Main Street in Tuscumbia and sponsored by the Shoals Car and Truck Club.
The streets were crowded with people walking around, looking at the vehicles on display. There were vehicles like the Scoobie Doo Volkswagen, to the newest Corvette.

I tried to find a place to park my van, which would be about midway through everything I wanted to do.

I walked down the street to Cold Water Book Store, where the Tuscumbia Walking Tour people were to meet.
I was a little early, so I walked inside to cool off, and there were several more people there. There were several vendors set up inside, so I went by each one and stopped to talk to them.

I talked to a man selling books on how to start a business. I said I was retired, had no interest in starting a business, and liked history. He said that some of my family would like to start a business. I said I have a family member who already owns a company. He laughed and said I guess you are not going to buy a book from me and I said Not unless it is about history. We both laughed. 
Next, I met a woman selling jewelry. She said that she lived in Atlanta but was originally from Tuscumbia, and she came every year for the Helen Keller Festival. 

I stopped at the following table where a man, his wife, and his son were sitting. He was selling a series of books about UFOs. He told me he made the bust statue of Werner von Braun at NASA and that he had worked for Disney.

There was a display of beautiful pictures depicting the early '50s & '60s, and whoever painted these pictures sure did a great job. The woman standing next to me said they were hers. 
She said growing up in the 50s was just like the Happy Days show.

It was getting close to the start of the walking tour, so I walked outside to wait for it to begin.
Three people shared information about how Tuscumbia got started and how it came to be called Tuscumbia. The Old Stage Coach Building was pointed out to us, and we were told that we could tour it on our own later. We walked up Main Street, stopping to listen to the women talk about the train depot where Anne Sullivan was picked up by one of the Kellers' carriages and taken to Ivy Green. A carriage owned by the Kellers is on display at the Tuscumbia Depot. 
We also listened to the women talk about the newspaper building where Mr. Keller worked. 
The streets were still very crowded as we made our way up. 
We stopped just outside the Abernathy House, and one of the women asked if the group could tour the house. 


We were invited inside, and some of the group walked upstairs while others toured the tunnel underneath the house. The tunnel was once used to bring food from the kitchen to the dining room, which was located downstairs.
Everyone walked outside and across the parking lot. Our next stop was in the blazing sun, so I looked for a shady spot while the women talked about the two nearby churches.

Finally, we arrived at the First Presbyterian Church, where we were invited to the Helen Keller Mini Concert. 
Dinie Stone played one song, Jesus Loves Me on the harpsichord.
Brian Beck played a couple of songs on the Organ.
Dinie Stone played a selection of  hymns and classics on the piano 
Dinie played songs about water, about communion, and when Dinie began to play America, everyone stood and joined in the singing. 
In the end, everyone was invited to stay for light refreshments. 

Once I knew only darkness and stillness...
My life was without past or future, but a little word from the fingers of another fell into my hand that clutched at emptiness, and my heart leaped to the rapture of living. 
Helen Keller Mini-Concert
The letter was written by Helen Keller.
Everyone was given a copy of the letter Helen Keller wrote to Reverend WF Trump. 

I enjoyed two glasses of fresh lemonade and two cookies while I sat and talked with several women. 
It was around 12:30 P.M., and I still had to walk back to my car. 
I was going to the Keller Library to hear Keller Thompson talk about the life of her great-great-aunt, Helen Keller.

I arrived at the Keller Library, but the door was still locked. It was bout fifteen until one. Many other people were waiting. I walked back to my van and cranked it because it was too hot to stand outside. Right after I cranked the van, the door opened. So I got out of my van and walked inside.
I enjoyed listening to Mrs. Thompson's talk and slide show about Helen Keller. 
There were also light refreshments after the talk. I got a bottle of water and a cookie.

It had been a great morning, even though the heat index was over 100 degrees.

Friday, June 24, 2016

🚂🚂🚂Tuscumbia Train Depot Museum Built 1888

Tuscumbia was the first railroad in Alabama and the fourth in the USA.
Located at 204 West Fifth Street, Tuscumbia.
Constructed in 1888 by the Memphis and Charleston Railroads
Tuscumbia Train Depot  back view
Tuscumbia Railroad: First Railroad west of the Alleghenies
Tuscumbia Rail Depot front view 
In 1948, a new depot was built along Shop Pike in Sheffield, and the 5th Street Depot was
donated to the City of Tuscumbia for a Community Center.
My grandparents celebrated their 50th Anniversary at the 5th Street Depot in 1976.
Golden Anniversary Celebrations 1976
5th Street Community Center (Old Tuscumbia Depot
The bell came from a real Tuscumbia steam engine, and school children love to ring it. 

JW Kiser, who had worked for the railroad, convinced the Southern Railroad to donate the bell to Woodward Avenue Baptist Church. It was used to signal children that it was time for Sunday School.

The church no longer used the building,  which was donated to the Tuscumbia Train Depot on October 21, 2007.
Waiting for the train & a Long stick used for sending messages
Railroads use lights and hand signals so that trainmen and workers can "talk."  The signs were first used over 130 years ago, before people had radios. Railroads needed men who could send signals from far or near. Many times, the signalman would be too far away to use a whistle or horn. Colors, lights, and hand signals were all used.

Color Signals

On the railroad, different colors have to mean Something to send a message. Flag color signals are:
Red - Stop
White - Go
Green - Go slowly  - caution!
Blue flags are placed on a car or other object on which men are working.
GO is straight up and down.
GO BACK! Swing up and down in a circle at half an arm's length across the track, when the train is moving.
DO NOT GO! APPLY BRAKES! Swing straight above your head when the train is standing.
GO! RELEASE BRAKES! Hold at arm's length above your head when the train is standing.
Ticket Counter
When the ticket window opened, it averaged about 30,000 tickets a year
WWII of the 718 R.O.B. UNIT -CIT F.T.O.
The fighting 718th Railroad Operating Battalion brought home a souvenir from Germany when they captured a railway station in Germany.

https://archive.org/details/HistoryOfThe718thRailrayOperatingBattalion

The 718th was given the territory from Folligny to Mayenne and to Rennes, a substantial section of the French railroad, to operate. Along with this came the responsibility of maintaining a single track from Pontabault to Cayenne and from Ponterson to Fougeres, and a double track from Folligny to Dol, with French maintenance of a double track from Dol to Rennes. 
Railroad operations were conducted under permissive block during blackout conditions
Flagging with a fusee and a lantern was permitted only in emergencies during the blackout. Crews going out on a run never knew when they might get back. 
The carriage owned by the Keller Family used to pick up teacher Anne Sullivan
This carriage, owned by the Keller Family, was thought to be used by Captain Arthur Keller to pick up Anne Sullivan at the Tuscumbia Train Station
Anne rode in the buggy with Captain Keller down the long drive that was lined with magnolias to Ivy Green. Anne spotted Helen waiting for her on the front porch. Tporchherchange the livporchof both Helen and Anne forever. 





Friday, June 10, 2016

King Biscuit Time Helena, Arkansas

The Sound of Soil and Soul
The music of the Arkansas Delta is the music of America. With roots in the gospel or "church music," the blues, jazz, country, and rock 'n' roll flowed from the rich, fertile landscape bordering the lower Mississippi River and spread across the country and the world. Follow the Arkansas Delta Music Trail to experience the sounds that shaped the land, its people, and the nation.


"King Biscuit Time" first aired live on November 21, 1941, on Helena, Arkansas's KFFA 1360 AM radio. Since that time, the program has become the longest-running daily blues radio show in the United States and an influential platform for up-and-coming blues performers. The award-winning program has aired more times than the "Grand Ole Opry" and has outlasted "American Bandstand" by at least a generation. Legendary bluesman Sonny Boy Williamson was the original host of King Biscuit Time, playing live with Robert Perkins and James Peck Curtis in the KFFA studio. The show was named after King Biscuit Flour, distributed throughout the Arkansas Delta by Interstate Grocer Company. The company agreed to sponsor a radio production for Sonny Boy and his band in exchange for live commercials for King Biscuit Flour.
King Biscuit Time was the first regular radio show to feature blues and has influenced generations of delta blues and
rock n' roll artists whose sounds are based on the raw energy of Sonny Boy Williamson's music. The daily programming of Sonny Boy Williamson, Pinetop Perkins, Robert Jr, Lockwood, and other Delta blues legends laid the foundation for the blues, rock, pop, and hip-hop music of today.

Award-winning "Sunshine" Sonny Payne has hosted the show since 1951 and has been a presence on King Biscuit Time since its inception in 1941. A recognized blues musician in his own right, Payne welcomes visitors to the live broadcast each week at noon. In keeping with tis tradition of broadcasting live music from the studio, King Biscuit Time still welcomes artists in the studio almost weekly, and the show's record-setting 15,000-plus broadcasts document the formation of a genuinely American form. Under Sunshine Sonny's direction, King Biscuit Time was awarded the prestigious George Foster Peabody Award in 1992, which recognizes outstanding achievement in radio and broadcast journalism.

The Delta Cultural Center became "home" to King Biscuit Time in the early 1990s, and the show is broadcast live daily from a special studio in downtown Helena and streamed worldwide via KFFA's website, www.kffa.com. 
King Biscuit Time with Sonny Sunshine Payne
Listening to Biscuit time with Sonny Sunshine Payne at KFFA 1360 AM
King Biscuit Time Sonny Payne St
Longest Running Blues Show
The music of the Arkansas Delta is the music of America. With roots in the gospel or "church music,"
The blues, jazz, country, and rock 'n' roll flowed from the rich, fertile landscape bordering the lower Mississippi River and spread across the country and the world. Follow the Arkansas Delta Music Trail to experience the sounds that shaped the land, its people, and the nation.
KFFA 1360 Helena

King Biscuit Time

"King Biscuit Time" first aired live on November 21, 1941, on Helena, Arkansas's KFFA 1360 AM radio. Since that time, the program has become the longest-running daily blues radio show in the United States and an influential platform for up-and-coming blues performers. The award-winning program has aired more times than the "Grand Ole Opry" and has outlasted "American Bandstand" by at least a generation.
Legendary bluesman Sonny Boy Williamson was the original host of King Biscuit Time, playing live with Robert Perkins and James Peck Curtis in the KFFA studio. The show was named after King Biscuit Flour, distributed throughout the Arkansas Delta by Interstate Grocer Company. The company agreed to sponsor a radio production for Sonny Boy and his band in exchange for live commercials for King Biscuit Flour.
Pass the biscuits! It's King Biscuit Time!
King Biscuit Time was the first regular radio show to feature blues and has influenced generations of delta blues and rock 'n' roll artists whose sounds are rooted in the raw energy of Sonny Boy Williamson's music. The daily programming of Sonny Boy Williamson, Pinetop Perkins, Robert Jr. Lockwood, and other Delta blues legends laid the foundation for the blues, rock, pop, and hip-hop music of today.
Tell it! Sing It! Shout it!
The King Biscuit Blues Festival
Award-winning "Sunshine" Sonny Payne has hosted the show since 1951 and has been a presence on King Biscuit Time since its inception in 1941. A recognized blues musician in his own right, Payne welcomes visitors to the live broadcast each week at noon. In keeping with its tradition of broadcasting live music from the studio, King Biscuit Time still welcomes artists in the studio almost weekly, and the show's record-setting 15,000-plus broadcasts document the formation of a proper American art form. Under Sunshine Sonny's direction, King Biscuit Time was awarded the prestigious George Foster Peabody Award in 1992, recognizing outstanding achievement in radio and broadcast journalism.
King Biscuit Time
Radio Station
K.F.F.A. & W.R.O.X
KING Biscuit Flour
Sonny Boy
Meal
The Delta Cultural Center became "home" to King Biscuit Time in the early 1990s, and the show is broadcast live daily from a special studio in downtown Helena and streamed worldwide via KFFA's website, www.kffa.com. 
Listen
King Biscuit Time
over
K.F.F.A HelenaW.R.O.X. Clarksdale, Miss
12:15 Monday thru Friday
King Biscuit Flour Sonny Boy Meal
Arkansas Delta Music Trail
Paid for with a combination of state funds and regional tourism promotion association funds
www.deltabyways.com
The Biscuit
The King Biscuit Blues Festival is the largest free blues festival in the south and one of the best-loved blues festivals in the world, attracting tens of thousands of fans to historic Helena in the heart of the Delta each October for three days and nights of music on multiple stages.
From its outset in 1986, the Festival has been a collaborative effort between Main Street Helena, a non-profit group dedicated to the revitalization of downtown Helena, and the Sonny Boy Blues Society, a volunteer-based group devoted to the preservation of Delta Blues.

"Da Biscuit," as it's affectionately known, is not devoted exclusively to blues from the Delta. Instead, in celebration of the Delta as a birthplace of the blues, the Festival showcases blues of all styles and from all regions of the country. 












The Blues Trail Mississippi to Helena, Arkansas


Blues Brothers
"Pass the Biscuits." ITS KING BISCUIT TIME."
Main Street Blues 
Helena has played a vital role in blues history for artists from both sides of the Mississippi River. Once known as a "wide open" hot spot for music, gambling, and nightlife, Helena was also the birthplace of "King Biscuit Time," the groundbreaking KFFA radio show that began broadcasting blues to the Arkansas-Mississippi Delta in 1941. The program had logged over 15,000 broadcasts by 2009 and inspired Helena to launch its renowned King Biscuit Blues Festival in 1986.
The Blues Trail from Mississippi to Helena
The Blues Trail from Mississippi to Helena
The town emerged as a major center of culture and commerce in the Delta during the steamboat era and maintained its freewheeling river port atmosphere well into the mid-20th century. Cafes, night spots, and good-time houses flourished, and musicians flocked here to entertain local field hands, sawmill workers, and roustabouts who came off the boats ready for action. Many bluesmen ferried across the river from Mississippi or later motored across the Helena Bridge. Others came from elsewhere in Arkansas, up from Louisiana, or down from Memphis.
Helena was at one time home to Mississippi-born blues legends Robert Johnson, Sonny Boy Williamson No. 2 (Rice Miller), James Cotton, Honeyboy Edwards, and Pinetop Perkins, as well as to Arkansas natives Roosevelt Sykes, Robert Nighthawk, Robert Lockwood Jr., Frank Frost, Jimmy McCracklin, and George "Harmonica" Smith, all of whom became influential figures in the blues. Williamson, Nighthawk, and Lockwood were among the first bluesmen to play their instruments through amplifiers, paving the way for the transition of blues from acoustic to electric music — a development often attributed to Muddy Waters in Chicago in the late 1940s.
Soon after KFFA went on the air on November 19, 1941, Williamson's "King Biscuit Time" broadcasts brought blues to an audience that had seldom, if ever, heard it on the radio. Up-and-coming bluesmen B.B. King, Albert King, Jimmy Reed, and Muddy Waters all tuned in to the lunchtime broadcasts from the KFFA studios, or on occasion from WROX in Clarksdale, advertising King Biscuit Flour and promoting their upcoming shows at local juke joints and house parties. The sponsor, Interstate Grocer Company, even introduced a Sonny Boy brand of cornmeal. During Williamson's extended absences from Helena, drummer James "Peck" Curtis kept the program going with a rotating cast of bandmates. The show eventually switched to records instead of live music and continued with deejay Sonny Payne at the helm. Off the air only from 1980 until 1986, it still ranks as one of the longest-running programs in radio history. The Delta Cultural Center began hosting the broadcast in the 1990s.

The Arkansas Blues and Heritage Festival, a favorite event among blues enthusiasts around the country, began as the King Biscuit Blues Festival in 1986, welcoming back former King Biscuit Entertainers Robert Lockwood and Pinetop Perkins for the first of many annual appearances, along with a variety of other acts including perennial local favorites Frank Frost, Lonnie Shields, Sam Carr, and CeDell Davis.
Blues Artist

The Singing River Sculpture, In Sheffield, Alabama


The Singing River Sculpture
The Singing River Sculpture
This sculpture is dedicated to the many individuals whose efforts made Sheffield and the Muscle Shoals area the “Hit Recording Capitol of the World,” and to those who continue that legacy in 2012

Legend of the Singing River 
The Yuchi and other early inhabitants who lived along the banks of the mighty Tennessee River held the legend of the Spirit Woman who lived in the river, protected them, and sang to them. If the river was angry, She sang to them loudly; if the river was peaceful, She sang softly and sweetly, sometimes humming a comforting lullaby. 
Some say that all they heard was the high waters' mighty rush and roar over the mussel shoals, or at other times, the calm low waters babbling through the river rocks. Others say She is real and can still be seen in the early morning mist, hovering over the waters, just as She did many years ago. In her honor, they called it the Singing River, and in her honor, we named these sculptures the Singing River Sculptures. 

The World-Changing Muscle Shoals Music
From throughout the 20th Century to the present, Muscle Shoals area artists, musicians, songwriters, and music industry professionals have helped shape the world's expansive music heritage. Few styles of music were untouched by Muscle Shoals, and local contributions have been made in all other areas of the complex industry: producers, recording engineers, songwriters, music publishers, and other positions in the music business.
Picture of 
Broadway Sound Studios with owner and producer David Johnson second from right
Picture of 
Legendary producer Jerry Waxler at Muscle Shoals Sound Studios’riverfront location

Many of the world’s greatest performers began their ascent to stardom in Muscle Shoals. Artists, such as Percy Sledge, Aretha Franklin, the Staples Singers, and Bob Seger, along with many others, quickly created a legacy that earned the area the title, “Hit Recording Capitol of the World.”

The area grew as a music center by drawing together people of all races and religions. In the 1960s, despite the segregation of race enforced outside the studios, a great soul classic was being created in the studios with each musician's contributions to his innate musical talent. The collaborations created some of the most widely loved music of the 20th century, including Steal Away, Mustang Sally, Tell Mama, Patches, Respect Yourself, and many others. 

The warning issued in Arthur Alexander’s You Better Move On got the attention of the Rolling Stones. The Beatles heard Alexander’s song, Anna and each band acknowledged their respect for Alexander and his writing by recording their version of his songs on their first albums.
NorAla Studio where Quin Ivy and Marlin Greene recorded Percy Sledge's When a Man Loves a Woman.
The songwriting tradition continues as one of the strongest facets of Muscle Shoals music, with area songwriters penning songs such as I Loved Her First, I Swear, Blown Away, Before He Cheats, and hundreds of other hits over the decades.

Picture of the original Swampers, Barry Beckett, Roger Hawkins, David Hood, and Jimmy Johnson at their 3614 Jackson Highway studio.

The heart and soul of Muscle Shoals' music have always been the players and singers. Four members of the Muscle Shoals Rhythm Section were immortalized in the Lynyrd Skynyrd songs Sweet Home Alabama. The lyric, “Muscle Shoals has got the Swampers” and “they’ve been known to pick a song or two,” honors Jimmy Johnson, Barry Beckett, David Hood, and Roger Hawkins, studio musicians who produced and played on hundreds of hits recorded at area studios from the late 1960s until the mid-1980s.
Dexter Johnson at his garage studio, the first in the Muscle Shoals area
Sheffield and Its Contributions to this Golden Era
Sheffield made major contributions to the area’s music heritage and to the creation of the Muscle Shoals sound. The first audio recording studio in the Muscle Shoals area was constructed in a Sheffield garage in 1950 by Dexter Johnson. His nephew, Jimmy Johnson, would go on to become one of the Swampers, immortalized in the Lynyrd Skynyrd song, Sweet Home Alabama, Johnson, along with Swampers, David Hood, Roger Hawkins, and Barry Beckett, established Muscle Shoals Sound Studios in Sheffield in 1969 and operated until 1985, recording hundreds of songs on hitmakers of that ear. 

The area’s first Number One record and first Gold Record, Percy Sledge’s When A Man Loves A Woman, was recorded by Quin Ivy and Marlin Greene at NorAla studio on 2nd Street. Proceeds from that hit allowed Ivy to construct Quincy and South Camp labels. In 1973 Ivy sold the facility to his studio manager and recording engineer David Johnson, who renamed it Broadway Sound Studios and recorded artists into the 1980s. 

Recording has continued to be a prolific industry in Sheffield over the last six decades. 

The City of Sheffield, Alabama
Ian Sanford, Mayor
Audwin Pierre McGee Sculptor
Historical commentary by Dick Cooper, David Anderson, and Bill Matthews
Fiscal Agent: Tennessee Valley Art Association 

WISE
Wise Alloys, a wholly owned subsidiary of Wise Metals Group, began operations in April 1999 when the parent company purchased the local assets and facilities of Reynolds Alloys Company, a subsidiary of Reynolds Metal Company. Today, Wise Alloys is a worldwide leading supplier of aluminum can sheets and processors of recycled aluminum. The company continues to expand its operations and maintains its presence as one of the leading employers in the Shoals. Wise is extremely proud to be a part of the Shoals community and pleased to have contributed all the recycled aluminum as the artistic medium for the Singing River Sculpture and the Singing River Sculpture Garden. 

The Shoals began its long heritage as an aluminum manufacturing community with the construction of the Reynolds facility in April 1941. It was proposed for the Defense Plant Corporation, a federal agency. Incredibly, just three months later, the first ingot was rolled on the Hotline. At that time, our country was just beginning to recover from the Great Depression. The construction and opening of the plant created much-needed jobs in our community. The selection of the site in the Shoals area was primarily due to the abundant electrical power created by the Tennessee Valley Authority and the dam system along the Tennessee River. 
Initially, the facility produced aluminum to support the World War II effort. 
March 4, 2013
The people of Sheffield and the Shoals express their heartfelt gratitude to those generous individuals, families, businesses, and organizations whose love for our legendary Muscle Shoals music has made this Singing River Sculpture possible.


Footprints in the Sand and other Poems by famous authors

  One night, a man had a dream. He dreamed he was walking along the beach with the Lord. Across the sky, scenes from his life flashed. For...